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A decade after, “Welcome to the Jungle.”  A retrospective.

A decade after, “Welcome to the Jungle.”  A retrospective.

Nov 1, 2022 by The Stroud

Almost a decade has rolled by since I was asked to pen an open-source scenario on the future of law enforcement, which I titled ‘Welcome to the Jungle’. It was well-loved, and praised, albeit treated in the same manner as the fiction that inspired it. In the years leading up to this point, I had been exploring emerging threats, from Carrington Event-level solar flares, to pandemics, to nation-state assaults on IT-enabled critical infrastructure. In hindsight, with two of these three now woven so deeply into the fabric of our reality, I feel a sense of having failed in my duty for not finding better claxons and clarions to warn of these catastrophes. But Kassandra’s curse is not to be believed, likewise the boy who cried wolf, so what to do? Well, find outlets like Circus Bazaar, is an obvious if somewhat blatant answer. But so what… and then what? Well, let me tell you about a story I wrote.

When I wrote ‘Welcome to the Jungle’, I had been closely following the trends it mentions, and was fairly sure that most of them would eventuate. The trick with strategic foresight is getting the timing right, which is more complex than it sounds. How far you place an event on the horizon depends mainly on the appetite of the audience. Too close and the audience will discount it, with mutters of, ‘I haven’t seen/heard/been told of that before’. Place it at a sufficient distance ahead in the future, though, and the details become comfortably obscured on the horizon to the extent that the event appears plausible, yet remains shrouded in a fog-of-war, overshadowed by the gloom of tomorrow.  After all, everything is possible given enough time, right?

There are three points relating to this decision – of where to place events on the timeline – that I want to unpack. First, that ideas concerning the future should be situated in accordance with the beliefs of the audience. Second, what questions should be asked? Lastly, perception is about power; therefore, it is important to gain an understanding of both perception and power.

As I mentioned, when talking about the future, timing is everything. I am absolutely certain, barring societal collapse, that humanity will develop bionics (as in a form of augmented human capabilities) that would still be regarded today as science fiction.1 Thought-controlled robotic prostheses are most certainly in our future.2 But at what point will they become industrialised, commercialised, or weaponised? Some might argue that they already are, but to paraphrase Gibson3,  only in pockets. My point is that it’s essential to consider the specifics of what you’re proposing. Waving your hands around and using ill-defined and/or ambiguous terms to discuss the perils of artificial intelligence, particularly without reference to the context of your audience, might attract some conference delegates to your presentation or serve as clickbait, but will ultimately leave audiences unsatisfied. They want to know what such developments mean for them.

Now, this type of contextualisation is extremely hard.  Often being called upon to explain emerging technology, I can attest to this request being routinely followed up with, ‘And can you tell us what this means for us, please?’ Even after explaining my background and highlighting caveats of my lack of experience in this particular domain, I am met with the audience’s firm belief that my explanation of certain technology will in fact explain what that technology means for them.  Consequently, I no longer talk to audiences I am not intimately familiar with, and take a dim view of those who do. Because that’s what such audiences want, what they really, really want. Even if it only occurs to them afterwards. And that is the basis on which they will judge you, and your message.

Now that you’re centring your message on what matters to your audience, and what they expect from you, it’s necessary to consider this matter from their perspective. I use the same toolkit here as I do for addressing risks and risk perception. For any given risk event, there are several attributes that must be articulated and conveyed to your audience, but using likelihood and consequence are unsuitable. They are academic, coarse measures of abstract concepts. Multiplying the assessment of the likelihood of an event by the magnitude of its impact creates a number, or a rating, which may provide the comforting but false notion to the audience that a complex and dynamic situation can be condensed into a rudimentary label, which in turn can be categorised, prioritised, and managed.

Unfortunately, reality is more unforgiving and expansive than risk matrices acknowledge. Risks present a variety of potential consequences, both in the type of event that may occur, and in terms of the respective impacts on various stakeholders. The frequency or likelihood of these events also occurs across a continuum that bears a multi-dimensional relationship to the spectrum of consequences. With likelihood multiplied by consequence, you’re essentially taking a histogram of these values, which vary by stakeholder, and collapsing them into a single value, thereby oversimplifying the situation and diluting its value to the decision maker.

Instead, these risk events can and should be framed as if they were – as their impact inevitably will be – physical manifestations, which is to say objects with mass and volume. Their proximity, size, velocity, and density should be given form, such that they take hold in the minds of the audience. Placing large events further away in time allows the audience to more comfortably confront them. Furthermore, by placing these risk events just over the horizon, you’re essentially gaming the assessment, but in the same way that decision makers often do when making malverse risk assessments, by which I mean they talk down the likelihood of a risk with the intention of bringing it within a politically acceptable range.4 Essentially, it’s the same trick that conventional likelihood and consequence risk assessments employ by reducing cognitive load and simplifying everything to a single value. Still, even acknowledging flexibility with the timing/likelihood, by accurately representing the other assessed attributes of the event, you will maintain the integrity of the message and uphold your duty of care.

When I wrote ‘Welcome to the Jungle’, I had recently had a conversation with a senior law enforcement official about the types of crimes currently being addressed, and I enquired why banking and finance were not being targeted.  My point was that, in terms of harms, the war on drugs doesn’t impact supply, so in the absence of prevention strategies that would impact it, wouldn’t it make more sense to turn these investigative and disruptive resources towards strengthening the integrity of societal institutions and the economy, and towards addressing the protection of the majority of citizens?

I was swiftly told that the banks were trustworthy and safe, ‘nothing to see here’ – this was prior to the Australian Banking Royal Commission – to which I riposted with an example of recent criminality discovered at HSBC. Still, it was evident that policing is a business, and like any other business, they wanted to play to their strengths and maintain their value chain. An inexhaustible supply of criminality and media opportunities therefore holds appeal as well as the key to additional law enforcement resources.

If you are not a soldier by proxy, you are an intelligence officer by proxy.

What is Mr Putin Doing In Ukraine? – Thoughts From Kiev.

Today, Sunday, I went to Maidan. Several hundre…

by Mychailo Wynnyckyj

Putin On Pause – Thoughts from Kiev

President Putin’s press conference seems to hav…

by Mychailo Wynnyckyj

The Vladimir Putin Problem – Thoughts From Kiev

The Russian invasion of Crimea has put the enti…

by Mychailo Wynnyckyj

Imminent Invasion – Thoughts from Kiev

Today, Crimeans “voted”. Given the barrage of m…

by Mychailo Wynnyckyj

Philosophy – Thoughts From Kiev

Today is a noteworthy day. Exactly 120 days ago…

by Mychailo Wynnyckyj

By reframing the role of law enforcement at the culmination of ‘Welcome to the Jungle’, I asked the implicit questions: What role does law enforcement play? What should it focus on? Of course, I placed this dangerous idea over the horizon, decades into the future, towards which the audience had been carefully and incrementally edged. I had sliced the salami into edible mouthfuls, so they wouldn’t choke on the proposition. Like a mountain on the horizon, an event placed this far beyond the present gives the impression that it can be summited. If you notice, I also highlighted types of criminality where targets were more corporate in nature. Corporate, or white-collar crime, is a current and growing problem of mountainous proportions5; please consider Enron, Madoff, and Holmes / Theranos.

There is a reason why fraud exists: it is hard to detect, and mind-numbingly boring to investigate, but this pales in comparison to the optics of a good drugs raid, or a weapons seizure. It really seems that only massive frauds, or ones that are grossly obvious, get caught. Indeed, 43% of frauds are detected by tip-offs, with half of these coming from employees6.  However, simply announcing that fraud is a huge problem will not, by itself, cause action. I used to say strategic foresight only created value when it produced strategic insight for its audience, but now I understand that it needs to result in strategic action as well.

Change takes a long time to manifest. Moreover, in a society comprised of organisms, and organisations, in an ecosystem that rewards homeostasis, the barriers impeding change are many. The lock we need to pick in order to disinhibit these entrenched actions and behaviours, therefore, is the self-interest of the individual. If I can use this knowledge to get ahead at work, or in life – they will think to themselves – then I might just do that. This gambit works particularly well if you show how the rewards may be achieved. Tell an individual what to do and he or she will resist, but lay out the incentives and procedures within a clear trajectory, and the individual will internalise them7. 

The questions that need to be posed should invoke a sense of agency in the audience and provide them with a conceptual framework around which to focus their attention. How will this promote, or benefit, their mission or business? If the story we tell in a scenario becomes a thought that occurs in someone else’s mind, what patterns and associations will consequently emerge, provoking a storm of neural activity surging forth to animate their bodies in the manifestation of action?

Is climate change real? A question that can be asked, and scientifically answered. Does it invoke action? Not by itself. How does climate change impact me? This makes it relevant. How does this impact my job? Now we have their attention. How can I make a job out of this? Now we have their future, and their agency.

When I first drafted ‘Welcome to the Jungle’, I led with my chin on the bold statement that irregular maritime arrivals to Australia would be stopped. It made perfect sense for this to happen, regardless of how it was ultimately achieved, and notwithstanding the various opinions regarding the means or the ends. I chose this event because to me it appeared the easiest to accomplish and therefore the earliest of the events likely to occur in the scenario. I personally believed it would have taken a further five to ten years down the track to realise, from that point. Also, this event was not central to my main objective – to reframe law enforcement – so even if it had failed altogether to transpire, this wouldn’t impact the credibility or influence of the rest of the narrative. In fact, I had hoped to pre-empt it, so that as the scenario circulated, and lingered in people’s minds, they would recall that I had called it first.

Placing controversial topics in the context of works of fiction is another classic manoeuvre. It veils the attribution of blame, accountability, and accusation. For this reason, science fiction has often been used as the setting in which to play out power dynamics, by relocating them so that they occur far, far away. With strategic foresight, however, we don’t have the luxury of space travel, but we do have the ability to play out events beyond the tenure of the current senior decision makers, which is a kind of time travel. Senior management doesn’t believe in a current risk? Place it beyond their likely retirement horizon, term, or posting, but within those of their juniors and successors. Flesh out the issue, especially the confluence of other trends or events likely to make the issue worse, such that addressing the issue sooner would be more beneficial. Now, if the event occurs while the current decision makers are in place, the organisation has already considered the event, even if they disbelieved that it would occur.

This exact situation illustrates the dirty secret behind the use of scenarios at Royal Dutch Shell.  Considered the poster child for scenarios and strategic foresight, Shell was credited with using highly detailed scenarios to support the profit they made from the oil crisis of the 1970s. Pierre Wack was asked by Shell to build these scenarios – including the oil crisis – which Shell’s executives then used as a blueprint for action when these scenarios actually manifested.8 The dirty secret lies in the fact that these scenarios were originally laughed out of Shell’s boardroom. Their only saving grace was that they were considered so ‘out-of-the-box’ that the scenarios were instead adopted for the executive training program, in the guise of absurd exercises to stretch creative thinking. The point is that however bizarre they were perceived to be, the events were nevertheless loaded in advance into the minds of the decision makers.

So, please enjoy all that Circus Bazaar has to offer. You never know when something might come in handy.

Notes:

  1. O’Doherty, J.E., Lebedev, M.A., Ifft, P.J., Zhuang, K.Z., Shokur, S., Bleuler, H., & Nicolelis, M.A.L. 2011. Active tactile exploration using a brain–machine–brain interface. Nature (London), 479(7372), 228-231; Valle, G., Petrini, F. M., Mijovic, P., Mijovic, B., & Raspopovic, S. (2021). A Computer-Brain Interface that Restores Lost Extremities’ Touch and Movement Sensations. Brain-Computer Interface Research, 65-73. doi:10.1007/978-3-030-79287-9_7.
  2. Bogue, R. (2009). Exoskeletons and robotic prosthetics: a review of recent developments. Industrial Robot: an international journal; Connan, M., Sierotowicz, M., Henze, B., Porges, O., Albu-Schaeffer, A,. Roa, M., & Castellini, C. (2021). Learning to teleoperate an upper-limb assistive humanoid robot for bimanual daily-living tasks. Biomedical Physics & Engineering Express.
  3. ‘The future has already arrived. It’s just not evenly distributed yet.’ – William Gibson
  4. March, J. G., & Shapira, Z. (1987). Managerial perspectives on risk and risk taking. Management Science, 33(11), 1404-1418.
  5. Friedrichs, D. O. (2009). Trusted Criminals: White Collar Crime In Contemporary Society (4 ed.). Wadsworth Publishing, p. 50. ISBN 978-0495600824. Citing Kane and Wall(2006), p. 5.
  6. 2020 Report to the Nations. Copyright by the Association of Certified Fraud Examiners, Inc.
  7. Cialdini, R. B. (2007). Influence: The Psychology of Persuasion. New York: Harper Collins.
  8. Wack, P. (1985). Scenarios: Uncharted Waters Ahead. Harvard Business Review, Sept-Oct 1985, 73-89; Wack, P. (1985a). Scenarios: Shooting the Rapids. Harvard Business Review, 6, 139-150.

Filed Under: Public administration & military science Tagged With: General considerations of public administration

Disillusionment of Ten O’Clock

Nov 1, 2022 by Zac Rogers

In his poem ‘Disillusionment of Ten O’Clock’, the great American poet Wallace Stevens hints at a warning for our time, which has inspired the coming together of this inaugural edition of Circus Bazaar magazine. Our contributors show that as scientism engulfs science, data contrives to attenuate knowledge, and technocracy subverts democracy, the dual roles of crisis and fear reverberate through late modern human affairs as iterations of the politics of science and technology. As ever, they function as both drivers and enablers, of causes and consequences alike. All may seem perpetually new, yet an old reflex can be glimpsed in operation.

The houses are haunted
By white night-gowns…
None of them are strange…

Wallace Stevens

The slide into monism is a very human reflex. The reason is, at base, the respite it offers the searching mind in an ungraspable present. However, such sweet relief comes at a cost. Fevered digital dreams of a more predictable world under the pitiless gaze of machines exact a high price in paranoia. With human horizons dimmed by the pandemonium of entropy, the ally of survival, let alone prosperity, will be a plurality of experiments in various ways of being, seeing, valuing, living with, and relating to the world, human and non-human. Monism, be it epistemological, political, financial, or ideological, makes everything more brittle than it needs to be, yet still it dominates the near horizon. In many ways, monism is the lasting legacy of modernity, and its greatest threat.

Only, here and there, an old sailor,
Drunk and asleep in his boots…

Wallace Stevens

For all its flaws, hubris, and appropriations, the vision of the future as confected under technocracy supplies the most basic human need. For the moderns, the future, like history, must have a discernible meaning. Nothing is more anathema to modern humans than the possibility of meaningless suffering. This is what the politics of technology feeds on in our present time. It is nothing if not a surrogate for assured meaning, even if that meaning is something that might resemble a dystopia. 

Rubashov, Koestler, and the Theory of Relative Maturity

Disillusionment of Ten O’Clock

In his poem ‘Disillusionment of Ten O’Clock’, t…

by Zac Rogers

ELIZA, the paperclip maximizer: A story

An unspecified government agency released a set…

by Andrea Brennen

Rubashov, Koestler, and the Theory of Relative Maturity

Awaiting the outcome of his secret trial in a c…

by Jack Goldsmith

As the modern age terminates in technological nihilism, it is by now beyond argument that modernity was undermined by its own successes. For humans, to step away from modern ways of thinking and being seems unimaginable now. But this is a delusion. As the technopolitics of late modernity close off on human horizons, a shoreline of possibility more vast than previously imagined emerges precisely as the veil of humanism is lifted. This is what lives on in Stevens’ wonderful poetry. Human horizons spread outward from the human world into the vastness and richness of the non-human things from which the world is assembled. This includes, as it always has, the machines.

Catches tigers
In red weather.

Wallace Stevens

Filed Under: American literature in English Tagged With: American poetry in English

R.A. the Rugged Man: Dragon Fire

Nov 1, 2022 by Shane Alexander Caldwell

Dragon Fire is a concept film produced by the Circus Bazaar Company and distributed by Nature Sounds Entertainment.

Visit the official release: Youtube
Internet Movie Database: IMBD

Official credits
Produced by Shane Alexander Caldwell
Directed by Linn Marie Christensen & Shane Alexander Caldwell
Written by Joe Lynch & Shane Alexander Caldwell
Director of photography | Arthur Woo
Production designer Linn Marie Christensen
Edited by R.A. the Rugged Man
Composed by Shroom
Movement direction by David Greeves
Associate producers Linn Marie Christensen & Colin Hagen Åkerland

Special effects by Doug Sakmann
Casting director | R.A. the Rugged Man
First assistant director | Philip Thomas Pedersen
Production assistant | Anthony Curry
Set designers | Morgan Shay, Colin Hagen Åkerland, Simbal Karma & Julie Filion
Costume designer | Julie Filion
Covid managers | Steven Haifawi & Faith Michaela Haifawi

Cast
Dragon Fire | Logan Marshall-Green
The Big Boss | Peter Greene
Kara Fire | Aase-Marie Sandberg El-Sayed
Ghostface Killah | Ghostface Killah
Masta Killa | Masta Killer
R.A. the Rugged Man | R.A. the Rugged Man
Kool G Rap | Kool G Rap
Xx3eme | Xx3eme
Cameos by AFRO & Eric Kelly

The Donburi House Ninjas
Brandon Kazen-Maddox
Cara Diaz
Dwayne Brown
Maurice Dowell

De Figuris Veneris
Sasha Ioselioni
Natasha Phoenix King
Sylvana Tapia
Erika Rodgers
Cara Diaz
Brandon Kazen-Maddox
Dwayne Brown
Maurice Dowell

The Big Boss Thugs
Steven Haifawi
Michael A McGrath
Danny Diablo
Joe Fatal
Danny McGrory
Johnny Peraza

Image Credit // The Circus Bazaar Company

New York Choy Lay Fut Lion Dance
Chinese Lion Coordinators | Wilsen Ng & Frank Tang
Operator 1 | Simon Wu
Operator 2 | Elijah Yong
Operator 3 | Kaitlin Cho
Operator 4 | Jesse Ng
Operator 5 | Sheck Cho

Stunt Department
Stunt Coordinator | Otto Tangstad
Stunt Performers | Niklas Brennsund, Mathias Ramfelt, Martin Lax & Colin Hagen Åkerland
Special Effects | Teo Viksjø

Production Department
Gaffer | Bart Cortright
Focus Puller | Kate Montgomery
Hair & Makeup | Kelsey Lehman
Vehicle Supplier | Anthony Aveni
Talent Supervisor | Valerie Fristachi & Anthony Curry
Equipment Rental | Ambrose Eng
Caterer & Craft Services | King of Slice NY

Post Production
Sound Design by This Old Man & Mari Åse Hajem
Mixed by Chris Conway
Colour by Shanon Moratti with the Circus Bazaar Colour Tablet
VFX Editor | Sarp Karaer
Art & Illustrations by Heath Riggs
Titles Design by Shane Alexander Caldwell
Assistant Graphics | Maria Borges
Technical Supervisor | Shanon Moratti
Assistant Editor | Linn Marie Christensen
Translation | Adrienne Beishan Seet

2nd Unit
Producer | Shane Alexander Caldwell
Directors | Linn Marie Christensen & Shane Alexander Caldwell
Associate Producers | Linn Marie Christensen & Colin Hagen Åkerland
DOP | Kristoffer Nylund Grindheim
Gaffer | Christer Smital
Best Boy | Henrik Efskin
SPFX | Inger Lina Johansen Thorjørnsen & Julie Filion

Legal Supervisors
Bull & Co Advokatfirma AS
Bing Hodneland
Cowen Debaets, Abrahams & Sheppard LLP

Shooting Locations
Linco Printing LLC
Slic Studios
Greenhouse Oslo
Thomas Heftyes Gate Air BnB

Finalisation
The Circus Bazaar Company
Nathan Andrews

Copyright ©
Nature Sounds Entertainment
The Circus Bazaar Company AS/Pty Ltd

Filed Under: Photography, computer art, film, video Tagged With: Cinematography and Videography

Circus Bazaar Magazine as a vocation

Nov 1, 2022 by Shane Alexander Caldwell

Ladies and gentlemen, children of all ages! Thank you for having blessed the universally acclaimed and much anticipated first edition of Circus Bazaar magazine with your sought-after presence. For this, I will, against all good humility, take on the role of your Ringmaster. I shall do this, for otherwise, I should stand guilty of the most terrible of literary crimes against your good self, the reader, and myself as the self-proclaimed editor. As what is an editor, if not the Ringmaster of a circus by other means? After all, this most fantabulous of publications, being by its very nature a great metaphor for knowledge, will require a guide. I shall then, henceforth, be your most glorified of buffoons.

But first, and in the interest of proper acquaintance and attention to hyperbole, I would like to give you a short history of Circus Bazaar. We sprang from the naive digital soil of 2013, as a platform for various forms of political activism and participation in political debate (later to be known as the Freak Show). However, it was with the tears of a clown, and the broken jaw of a journeyman boxer, that we realised that although we were giving many a welcome soul a ticket, the money box remained empty. It was here that the concept of Circus Bazaar as a vocation was born. The plan was simple: Open the Big Top to all who wanted to share in what we were doing. To quote many a prize fighter, ‘Anyone who wants it can get it’.

We were performing research, analysis, film production and documentary; we were growing ever more creative in our ambitions. Why not share these things with others? Why not write a political opera for the international anti-nuclear weapons movement, or produce music videos for some of the most famous acts in the world? Why not take our unquenchable fascination for critical socio-political issues and help to educate the public and government on some of the most pressing concerns of our time?

My dear audience, we have toiled under the sun in the best traditions of the beast, with the sincere hope of finding our way home to our circus tent, and with the great wish to bring back an audience to experience what we are and have become. But what is that? What have we become? All defies explanation, except for one thing. We are the unashamed secret wish of any maniacally driven publication to share the great curtain call of life and ideas that matter with the people. We wish to be you, the reader. Your curiosities, your questions, your dreams, your passions, your anger and your position on the world stage, however big or small it may be.

An original production by the Circus Bazaar Company

Journalism & sovereignty with Serhiy Tomilenko

Circus Bazaar Magazine as a vocation

The Ringmasters Speech
Circus Bazaar Magazi…

by Shane Alexander Caldwell

It tolls for thee

The Ringmasters Speech
Circus Bazaar Magazi…

by Shane Alexander Caldwell

Journalism & sovereignty with Serhiy Tomilenko

An interview with Serhiy Tomilenko. Serhiy is t…

by Serhiy Tomilenko

We are the Ringmaster who organises your thoughts, and the Marionettist who pulls the strings of your philosophy. We are the Fortune Teller that is your faith, the Acrobat that flips your language, and the Freak Show that is your politics. We are the Animal Trainer that is your will to conquer, and the Magic Acts that are the technology you use. We are the Buffoonery that is your entertainment, the Knife Thrower that is your favourite polemicist, and the herniated Contortionist that is the history we all share on this ever-changing earth.

Penned from the crooked timber of humanity itself.
We are Circus Bazaar.
Welcome to the inaugural edition of our magazine – in print!

The Ringmaster

Without further ado, I present to you, ‘Catching Tigers in Red Weather: The Politics of Science and Technology in a New Century of Fear’. A blasphemous offering from guest editor Zac Rogers, the great deconstructor of late-modern myth in a new and dangerous digital world, within which we are all fated to participate.

“When the animal trainer learns acts of magic and the freak show awaits, the ghastly mistake of history awakes.”

The Ringmaster

Filed Under: Magazines, journals & serials Tagged With: Serials in English

STS, platform capitalism and the conundrum of expertise

Nov 1, 2022 by Philip Mirowski

They might be loath to admit it, but many Science and Technology Studies [STS] scholars today long for the halcyon days of the so-called “Science Wars” of the 1990s. Back then, those scholars were relatively united in their defenses against a loose coalition of natural scientists and their fellow-travelers in the humanities, who sought to delegitimize STS work by suggesting it demeaned and degraded the cultural acceptance of and acquiescence in scientific expertise. STS scholars tended to argue that the Science Warriors misunderstood much of the STS methodology, which did indeed undermine older Mertonian stories of the pristine separation of science from society and its demands, but that this was done with the intention of supporting and clarifying the work of science in action, to cite one of its champions, Bruno Latour.1 While the STS formation may have temporarily risked a modicum of its academic credibility, there was never any sense that the stakes were much higher than, for example, a figure like Latour getting turned down for a plush sinecure at the Institute for Advanced Study at Princeton, or someone else’s article being ridiculed by Alan Sokal.

What a difference a few decades can make! These days, almost everyone anguishes over what they perceive to be pervasive attacks on scientific expertise, be it anti-vaccine resistance to global warming denial to the sperm counts of urban males, and much else. The entire population appears split over whether one should “trust science” or not, although there is little consensus over whether that is even a cogent way to phrase the nature of the antagonism. Not only is the trust divide regarded as political, in the conventional sense of partisanship, but its implications for the widespread breakdown of democratic structures are often mooted as having the utmost significance. The political stakes in the role and nature of expertise have clearly risen not only for the general populace since the 1990s, but also for the participants in STS research. Consequently, a rift appears to have opened within STS, between those who pride themselves in regularly challenging the shape and content of scientific expertise, and those who have begun to insist that science in the large must be defended from the general culture of disdain and disrespect. STS journals are full of disputations over the extent to which science studies may or may not be responsible for this perilous juncture. While the dominant tendency has been to plead that the crisis should not be laid at their doorstep, others have adopted a much harsher position: “Contemporary science and technology studies (STS) erodes the cultural importance of scientific expertise, and unwittingly supports the rise of populism.” 2 

While I have sought to map the current STS terrain concerning the politics of science elsewhere, here I want to concentrate upon a major weakness in the camp of those inclined to defend science from its detractors. Some of the representative STS figures I have in mind are Harry Collins,3  Naomi Oreskes,4  and Darrin Durant. While these scholars offer admirable arguments why scientific consensus should be granted various privileges in the modern polity, I want to suggest that they have overlooked one rather large vulnerability in their case. While none of these scholars can be accused of ignoring the historical character of science, when they seek to justify the indispensable role of expertise, they do tend to describe the self-correcting character of science in relatively abstract terms. Collins tends to harken back to his theory of “Core Sets” of specialists vetting claims, while Oreskes appeals to general social structures that vigorously vet claims, reach agreement, and then move on.5  The flaw in their arguments resides in the fact that those regulatory social structures can change dramatically over time, and that the dependability of those vetting procedures may themselves be diminished as a consequence. Indeed, changes in the social structures of science may go some distance towards helping to explain the modern distrust of expertise. This observation will dovetail with another theme often broached when bemoaning the lack of trust in science: the significance of the rise of social media and their grounding in the social structures of post-1990 platform capitalism.

Collins and Oreskes are certainly aware that science has increasingly been subject to commercialization pressures since the 1980s, yet neither has sufficiently appreciated the extent to which the reconstruction of science under market imperatives has been a rolling, cumulative process. Once the first phase of extending intellectual property to cover scientific discoveries had passed, the next phase was to begin to apply market logics more intently to the process of research.6  The very notion that you and your immediate peers might devote your entire life to one discrete research program in some small byway of a single discipline was rendered obsolete, if only because a dearth of profitability would dictate that investment in such an area cease forthwith, and be shifted to some more promising arena. More relevant, the research process was broken up into component modules of research activity, under an injunction to open them to a range of labor at each stage, subject to external scrutiny, and better, to themselves be monetized to the maximum extent. This re-engineering of scientific research was promoted under the rubrics of “open science,” open access, banishment of legacy journals and limited in-group peer review, freely accessible databases, “democratization of citizen science”, and much more.7  Many of these innovations are based upon the models of prior social media platforms, and upon the general frameworks of “platform capitalism”.8 

What Collins, Oreskes and others have overlooked is that the older social structures of the discipline-centric, journal-identified and university-based science that provide their templates for “scientific consensus” are giving way to a newer model of flexible gig labor organized through for-profit internet platforms. People under the age of 40 are fully aware of the growing importance of such platforms as LinkedIn, Research Gate, Mendeley, Walacea, Zenodo, PeerJ, PubPeer, and even Twitter to their research profiles and practices. Some universities have incorporated internal profile platforms into their translational medicine units.9  Moreover, “virtual labs” such as Science Exchange and Emerald Cloud allow for arm’s-length conduct of what was previously in-person labor at the wet-lab bench. Evaluation of the “truth production” functions of the researcher is happening more and more in real time, mediated by surrogate end-points, and registered though numerous automated measures dubbed “altmetrics.” Even patent counts have been demoted as happening too late in the research process. Scientific research has been accelerated and subjected to any number of market-like evaluation points, with consensus itself fragmented and replaced by so many accounting devices, depending heavily upon the internet, the better to repackage the results as fungible information to be sold to the highest bidder. 

STS, platform capitalism and the conundrum of expertise

STS, platform capitalism and the conundrum of expertise

They might be loath to admit it, but many Scien…

by Philip Mirowski

One very salient symptom of the New World of science evaluation has been reported by Mario Biagioli and Alexandra Lippman.10  They provide a number of illustrations of a novel sort of misconduct in modern science: namely, not direct falsification of the content of a scientific paper, but rather the manipulation/falsification of the various metrics of research products that have come to stand in for the validation and vetting of research validity. They range from spoof peer reviews, to fake author bylines, to paper authorship for sale, to ghost management of medical publications, and far more baroque options. Biagioli himself opines that all manner of cheating is rife in some precincts of modern science, and of course is rendered possible by the digitization of such data; yet he seems not to realize that the decoupling of research activity from researcher identity is the hallmark of re-engineered modern science. Since “The Market” is expected to provide evaluation of the worth and significance of each bit of research, the linking of any finding to a particular community member and their affiliated peer group bears no special significance, and indeed, can itself be rendered subject to market trade. Perhaps this explains why Biagioli struggles so hard to identify an operant definition of nouveau “scientific misconduct”: manipulation of the algorithms that stand in for the contemporary evaluation of truth seems to resemble crafty entrepreneurship as much as it may be redolent of sleazy misrepresentation. To be offended by such behavior runs the risk of missing the underlying shift in forms of scientific veridiction.

The extension of market logics through platform structures throughout the research process (particularly noticeable in the biomedical sciences) has fundamentally altered what it means for a disciplinary community to criticize and vet scientific research. Bluntly, critique by peer review is slowly becoming trumped by market evaluation. Nick Srnicek describes how platform capitalism seems to spin fortunes out of data: “[Data] have come to serve a number of key capitalist functions: they educate and give competitive advantage to algorithms; they enable the coordination and outsourcing of workers; they allow for the optimization and flexibility of productive processes; they make possible the transformation of low-margin goods into high-margin services; and data analysis is itself generative of data”.11 Indeed, most of the altmetrics numbers are generated by for-profit entities, which bear no obligation to submit their own algorithmic appraisal procedures to any scientific community. (After all, these procedures are protected intellectual property.) As if by magic, science itself has been transformed into the proverbial self-licking ice cream cone. As a consequence, the process of assessment has been progressively outsourced to various funders and investors.

What I think that Collins, Oreskes, et al. miss is the extent to which the unholy alliance of “open science,” platform capitalism, and the culture of social media have had deep and profound consequences for the politics of science. Patently, the injunction “Trust the scientists” no longer possesses the probative force it may once have enjoyed during what might be dubbed the Cold War era. Mistrust of vaccines is not entirely illogical when it seems to be Pfizer, rather than the Center for Disease Control or the FDA, who pronounces that booster shots will soon be required in order to combat COVID-19. A modicum of discomfort with the Green New Deal might be vindicated by demonstration that the initial development of the Gaia hypothesis was funded by oil companies.12 Peer review is openly being eroded in a world where ghost managers can buy the illustrious authors they choose to grace the masthead of a paper, which has been compiled and composed by a CRO and a nameless cadre of medical writers. A fragmented phalanx of gig workers cannot possibly underwrite the validity of some research output. The epistemic authority of the disciplinary peer group is being increasingly diluted by devices like altmetrics and open comment platforms, so no wonder the man in the street feels justified in tweeting the results of his own “research” and Google searches to be as equally valid as any pronouncements by “experts.” The pervasiveness of commercial valuation itself has direct influence on political attitudes, both by those who suspect scientists of unsavory pecuniary motivations, and conversely, by those who subscribe to the neoliberal proposition that markets always know more than any self-identified savants. The hermeneutics of suspicion cuts both ways. Ahistorical assertions by some STS scholars that “science has always been commercial” cannot begin to comprehend the profound ways that modern monetization of the research process has altered the general epistemic stakes when it comes to the political legitimacy of experts.

Thus there is little plausible prospect that a populace drenched in social media and increasingly employed by platform capitalism will return to attitudes towards scientific experts prevalent before the Science Wars of the 1990s. The more pressing issue for STS is, rather, what social formations will replace them?

Notes:

  1. For a nice summary of the Science Wars, see Gordon Katic. 2019. “Science Studies and its Mea Culpas,” Cited: https://www.citedpodcast.com/article-sciencewars/
  2. Collins, Harry; Evans, Robert; Durant, Darrin & Weinel, Martin. 2020. Experts and the Will of the People. Cham: Palgrave Macmillan.
  3. Collins, Harry & Evans, Robert. 2017. Why Democracies Need Science. Malden: Polity
  4. Oreskes, Naomi. 2019. Why Trust Science? Princeton: Princeton University Press.
  5. Ibid, p.141.
  6. Mirowski, Philip. 2011. ScienceMart. Cambridge: Harvard University Press.
  7. Mirowski, Philip. 2018. “The Future(s) of Open Science,” Social Studies of Science, (48):171-203.
  8. Srnicek, Nick. 2016. Platform Capitalism. Malden: Polity.
  9. Robinson, Mark. 2019. The Market in Mind. Cambridge: MIT Press, chapter 4.

Filed Under: Science Tagged With: Philosophy and theory

Ep 5. An Alternative type of Wind Power with Michael Blaize

Feb 14, 2019 by The Big Tent Podcast

Photo/Vawt-X Australia Pty Ltd
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In the first Podcast of 2019, Editor of Circus Bazaar Magazine Shane Alexander Caldwell sits down to discuss a new form of Wind Power with the developer of the technology behind the Australian Renewable Energy Company, Vawt-X Energy, Michael Blaize.

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